Theo Wizman doesn’t just mix to fill a dancefloor — he builds it.
Between underground tech-house tailored for clubs and disco influences, his sets are made of edits, remixes, and collisions between eras.
Raised in the immense vinyl collection of his father, the eclectic and international Ariel Wizman, he developed very early on a sensory and emotional relationship with music.
He crafts his sets like a conversation with the audience, alternating between breaks and anchors, until he finds that point of balance where everything becomes obvious.
Thanks to his deep listening to the crowd, one track can contradict another, breaking expectations and thus developing a signature that is immediately identifiable yet unpredictable.
In 15 years, every club in Paris has heard his records spinning: Silencio, Mirage, Nonsense, Pamela, Halo, Badaboum, and La Machine du Moulin Rouge are among his personal favorites.
For several years, with Radio Nova, his music traveled all over France for tours at the biggest French-speaking festivals such as Dour, Astropolis, The Peacock Society, Nuits Sonores, Cannes, We Love Green, Solidays, Calvi On The Rocks, and Rock En Seine.
Around the world, he has played at Burning Man, Berlin, Mykonos, Venice, Rome, Marrakech, Mallorca, and Saint Moritz.
Private parties and fashion week events (Louis Vuitton, Dior, Audemars Piguet, Art Basel, Isabel Marant, Esquire, V Magazine, Gunther, Sonia Rykiel) as well as runway music are also part of his playground, where he brings his taste for the unexpected.
His sets remain surprising thanks to hours of digging and an eclecticism that allows him to mix tracks that should never coexist.
For three years, he hosted a show on Radio Nova, inviting a different DJ each week to play with him, as if extending a conversation.
Today, with Raised On Records, his video series on his father’s vinyls, he pays homage to the textures and emotions of the music that raised him.
